Tom Hazleton (1942–2006) was one of America’s most gifted and versatile organists, celebrated for his mastery of both classical and theatre organ traditions. Born and raised in California, he showed extraordinary musical ability from a young age, quickly earning a reputation as a child prodigy. Over the course of his career, Tom became a sought-after performer, recording artist, teacher, and church musician, admired for his powerful artistry and sense of humor. This timeline highlights the milestones of his life and career — from his early beginnings at the organ bench to his final performances and the lasting legacy he left through his students, colleagues, and countless admirers around the world.

  • Note: This website was created and is maintained by Tom’s son, Nick Hazleton, drawing on both personal memories and a professional background in journalism and marketing to preserve his story.

September 27, 1942

Tom Hazleton is born!

Tom Hazleton was born on September 27, 1942, beginning the life of a musician who would go on to become one of America’s most admired concert organists. From an early age, Tom displayed a natural gift for music that would shape his lifelong career and inspire audiences around the world.

Late 1940s–1950s

A Child Musical Prodigy

From a very young age Tom displayed remarkable musical gifts. An often-told family story (reported in his obituary) describes him correcting a teacher at the piano and then playing the piece perfectly without formal lessons — a moment many cite as the start of his reputation as a child prodigy. By his early teens he was already involved with church organs.

1955–1960s

First public performances & early organ posts

As a teenager Tom began playing the pipe organ at First United Methodist and served as staff organist/choir director in local churches (including Carmel Presbyterian and St. Mary’s-by-the-Sea). His first notable public Wurlitzer appearance is remembered by colleagues as early in the 1960s.

1960s–1970s

Growing national reputation

Through the 1960s and 1970s Tom expanded from regional church and theatre appearances to national concert work, establishing a reputation in both classical and theatre organ circles. He began recording and appearing on major instruments across the U.S. (and internationally).

1986

Named “Organist of the Year” by the American Theatre Organ Society (ATOS)

Tom Hazleton was honored by ATOS as Organist of the Year — a recognition from his peers that reflected his impact as a performer and recording artist in the theatre-organ community.

1988-1992

Credit: Rodgers Organs

Rodgers Organ Company

Tom worked for the Rodgers Organ Company as a performing artist and consultant, showcasing their instruments in concerts and demonstrations.

1992

Credit: Discogs

Trio Con Brio

Co-founded Trio Con Brio with Jonas Nordwall and Donna Parker. The ensemble was revolutionary, featuring three organs played simultaneously in coordinated performance — a concept that stunned audiences and showcased new creative possibilities for the instrument. After Tom’s passing, the group has continued with Martin Ellis officially joining Jonas and Donna, keeping Tom’s spirit and vision alive.

1990s–2000s

Recordings, major venues, and international work

Over his career, Tom recorded dozens of LPs, cassettes, and CDs (discographies list 35+ releases and more in various formats). He performed on many major organs and venues, including Grace Cathedral, Wanamaker’s, Riverside Church, Radio City Music Hall, Washington National Cathedral, and Notre-Dame de Paris — building a worldwide reputation as both a classical and theatre organist.

1992–2002

Credit: Allen Organs

Allen Organ Company

From 1992 to 2002, Tom was affiliated with the Allen Organ Company, where he continued his dual role as artist and ambassador, performing concerts around the country and abroad.

2003

ATOS Hall of Fame

Tom Hazleton was inducted into the American Theatre Organ Society (ATOS) Hall of Fame, recognizing his artistry, contributions to the theatre organ world, and his lifelong dedication to sharing the instrument’s magic with audiences everywhere.

March 2006

Credit: Legacy.com

Final performances and passing

On March 4, Tom played in Grand Rapids, Michigan on a Wurlitzer; shortly after, a Classical/Pops concert in Scottsdale, Arizona on a pair of Allens; and on March 13, a session on the Midmer-Losh organ at Adrian Phillips’ residence in Phoenix.

Tom passed away peacefully the next day. Friends remembered him not only for his music but for his generosity, encouragement, and warmth. His legacy continues to inspire organists worldwide.

Today

Paying Respects

Tom is laid to rest at Mission Memorial Park in Seaside, Monterey County, California Many of his students, including Jackson Borges, have carried forward his influence in different ways. Together with countless others touched by his music and teaching, they remain part of the living testament to his life and artistry.